Grace and Holy Trinity Episcopal Church
8 North Laurel Street
Hook & Hastings organ, 1894, Opus 1617
GREAT
16 Open Diapason
8 Open Diapason
8 Doppel Flote
8 Viola de gamba
4 Octave
3 Twelfth
2 Fifteenth
III Mixture
8 Trumpet
SWELL
16 Bourdon Bass
16 Bourdon Treble
8 Open Diapason
8 Salicional
8 Aeoline
8 Stopped Diapason
4 Flauto Traverso
4 Violina
2 Flautina
8 Oboe & Bassoon
Tremulant
CHOIR
8 Geigen Principal
8 Dlciana
8 Melodia
4 Flute d'Amour
4 Fugara
2 Piccolo
8 Clarinet
PEDAL
16 Open Diapason
16 Bourdon
8 Violoncello
COUPLERS
Swell to Great; Swell to Choir; Choir to Great; Great to Pedal; Swell to Pedal; Choir to Pedal
COMPOSITION PEDALS
Great Forte; Great Piano; Swell Forte; Swell Piano; Choir Forte; Choir Piano; Great to Pedal reversible
Copied from the Musical Opinion, May 1, 1895, p. 499
Hook & Hastings organ, many times altered, final specs 3m/52r
GREAT
16 Double Open Diapason (#1617)
8 Diapason I (#1617)
8 Diapason II
8 Diapason III
8 Spitzflute (#2450)
8 Viola de Gamba
4 Octave (#1617)
4 Orchestral Flute (#2477)
2 2/3 Twelfth (#1617)
2 Fifteenth
8 Tuba
Chimes
SWELL
16 Bourdon (#1617)
8 Open Diapason (#1617)
8 Gedeckt (Stopped Diapason) (#1617 unclear)
8 Hohlflute
8 Viol d'Orchestre
8 Salicional
8 Voix Celeste (TC) (#2966)
8 Aeoline (#1617)
4 Flute Traverso (#1617)
4 Violin
III Dolce Cornet
8 Oboe
Tremolo
CHOIR
8 Geigen (Principal on pipe)
8 Melodia (#1617)
8 Dulciana (#1617)
4 Fugara
4 Flute d'Amour (#1617)
2 2/3 Spitz Nazard (Spitz Flute on pipe)
2 Piccolo (#1628)
8 Clarinet
Tremolo
8 Harp
4 Celesta
8 Processional Organ (in rear hall)
ANTIPHONAL
16 Contra Viole
8 String Diapason (#2540)
8 Major Flute (#2450)
8 Cor de Nuit (#2450)
8 Viole D'Orchestre
8 Muted Viol
8 String Celeste (#2450)
4 Orchestral Flute (#2450)
2 2/3 Nazard
2 Flageolet (unit with Nazard; marked Spitzflute)
8 Oboe
Tremolo
ANTIPHONAL PEDAL
16 Bourdon (#2450)
16 Contra Viole (from manual)
8 Flute (from Bourdon)
PEDAL
16 Open Diapason
16 Bourdon
16 Dolce Bourdon (Lieblich Gedeckt #2450)
16 Violone
8 Major Flute (from Bourdon)
8 Dolce Flute (from Dolce Bourdon)
8 Violon Cello (from Violone)
III Mixture
16 Trombone (Great Tuba)
Austin organ, Opus 1979, 4m/62r
* retained from previous organ
GREAT
1. 16 Geigen 61 pipes
2. 8 Principal 61 pipes
3. 8 Bourdon 61 pipes
4. 4 Octave 61 pipes
5. 4 Nachthorn 61 pipes
6. 2 Super Octave 61 pipes
7. IV Fourniture (1 1/3) 244 pipes
8. III Cymbal (2/3) 183 pipes
9. 16 Dulzian 61 pipes
10. 8 Fagot 61 pipes
SWELL
11. 16 Gedeckt Bass 61 pipes
12. 8 Rohr Gedeckt (from #11) 12 pipes
13. 8 Viola Pomposa 61 pipes
14. 8 Viola Celeste 49 pipes
15. 8 Flauto Dolce 61 pipes
16. 8 Flute Celeste 49 pipes
17. 4 Principal 61 pipes
18. 4 Wald Flote 61 pipes
19. 2 Block Flote 61 pipes
20. II Sesquialtera (TC) 98 pipes
21. IV Plein Jeu (2) 244 pipes
22. 16 Basson 61 pipes
23. 8 Trompette 61 pipes
24. 4 Clairon 61 pipes
Tremolo
POSITIV
25. 8 Geigen (from #1) 12 pipes
26. 8 Holz Gedeckt 61 pipes
27. 4 Principal 61 pipes
28. 4 Koppelflote 61 pipes
29. 2 Octave Principal 61 pipes
30. 1 1/3 Quint Principal 61 pipes
31. 1 Sifflote 61 pipes
32. III Zimbel (1/3) 183 pipes
33. 8 Rohr Schalmei 61 pipes
Tremolo
ANTIPHONAL
34. 8 Gedeckt* 61 pipes
35. 8 Erzahler* 61 pipes
36. 8 Principal* 61 pipes
37. IV Mixture 244 pipes
38. 8 Gloria Dei Trumpet (in main organ) 74 pipes
Zimbelstern (in main organ)
PEDAL
39. 32 Resultant -----
40. 16 Diapason* 32 pipes
41. 16 Principal 32 pipes
42. 16 Subbass 32 pipes
43. 16 Geigen (#1) -----
44. 16 Gedeckt Bass (#11) -----
45. 10 2/3 Quint
46. 8 Octave (from #41) 12 pipes
47. 8 Geigen (from #1) -----
48. 8 Gedeckt (from #11) -----
49. 4 Choral Bass 32 pipes
50. 4 Nachthorn (#5) -----
51. IV Mixture (2 2/3) 128 pipes
52. 32 Contra Bombarde 32 pipes
53. 16 Bombarde (from #52) 12 pipes
54. 16 Basson (#22) -----
55. 8 Bombarde (from #52) 12 pipes
56. 8 Basson (from #22) -----
57. 4 Bombarde Clarion (from #52) 12 pipes
58. 4 Basson (from #22) -----
59. 4 Dulzian (from #9) -----
ANTIPHONAL PEDAL
60. 16 Flote* 32 pipes
61. 8 Principal* 32 pipes
COUPLERS
Swell to Great 16, 8 & 4; Positiv to Great 8; Antiphonal to Great 16, 8 & 4; Swell to Swell 16 & 8; Positiv to Swell; Great to Positv 8; Swell to Positiv 8; Antiphonal to Positiv 8; Positiv unison off; Antiphonal to Antiphonal 16 & 4, unison off; Great to Antiphonal; Swell to Antiphonal; Positiv to Antiphonal; Great to Pedal 8; Swell to Pedal 8 & 4; Positiv to Pedal 8 & 4; Antihpnal to Pedal
(Site Visit by Donald Traser) |
